Wednesday, May 25, 2011

the well-known fact beyond those superb soothing rocket voice














When Regine Velasquez first entered the Philippinemusic scene, a lot were taken aback with her vocal prowess. The lanky 16-year old lass made everyone listen to her sound and style with much attraction. Whether we appreciate her flair or not (then and now),Regina Encarnacion Ansong Velasquez created a resonance that is very new to our ear. Critics back then described her music as the screech style while others were simply wowed when she starts hitting those notes. But whichever side you take, The Songbird is considered to be one of the pioneer of music in thePhilippine Industry. To denote her accomplishments would be too laborious of a task.

The music of Regine all started in February 1986 and let’s have a look of what have become of our music now.

At present state, if I were to sum up how majority appreciates music here in our country – that is by belting! A female singer to be considered excellent must be able to hit those high notes with ease. The same reason why most singers stretch their range to heights their vocal cords could not naturally support. We can’t blame them, of course. Singers will not be singers if they can’t sell thousands of records – it’s all about the money, as always! In their efforts to sell, they give what the public wants; and that is to sound like Regine Velasquez.

Case in point, if you were to list down the top 5 lady singers in the country; for sure if not 5 out of 5, 4 of those are known to be belters! Is this bad? I don’t know! But what I know is, a song can still be beautiful if sang in the mid-range. This was proven when Regine released her 15th album entitled, Low Key. The album received a gold record award after a few days of released. It was even the first OPM album to have reached platinum status in 2009. But then again, she is already a “made artist” who can experiment with her materials and would still have her followers supporting.

In one of her shows, Regine once humored, “Bakit kaya ang Pilipino, gustong-gusto kapag nahihirapan ang singer? (Why is it that Filipinos find thrill if they see singers perform difficult songs?). I think she should know the answer to her own question.

Regine is indeed the leader of the bandwagon of belters we have in the local scene. Honestly, we already have a surplus of lady belters all wanting to follow The Songbirds path. Too many to the point they can outnumber those people in protest in EDSA revolution (LMAO).

What this blog is all about? It’s time for a change. Regine Velasquez is only one of the fine artists we have but she should not represent the entirety.

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